by Inma Naima Zanoguera   Blackness, says Fred Moten, “is enthusiastic social vision, given in (non) performance, as the surrealization of space and time, the inseparability of gravity and matter […] in caressive sound and anachoreographic sounding,” and that makes sense to me in some ungraspable sense. Blackness is hard, almost impossible to define. This … Continue reading On the Blackness of Flamenco: an Interview with Pyllis Akinyi